Michael Hill, President & CEO of YFU USA, just returned from Cuba, one week before the normalization of diplomatic relations. Here he shares a day by day recounting of not only YFU’s first-ever exchange to this unique island nation, but also first-ever adult exchange program. Day 5 – Wednesday, July 15
There are vivid reminders of the once closer ties between Cuba and the United States. Certainly some of that comes through the stories of those who remember the interaction pre-embargo, but as with so much of this trip, art, served as a great reminder of the ties that bind.
Ernest Hemingway fell in love with Cuba and lived much of the last part of his life there. It’s where he wrote “Old Man and the Sea,” as well as a “A Farewell to Arms.” We started day 5 with a visit to Hemingway’s home in Cuba. Located about 12 kilometers outside of Old Havana, Hemingway initially did not want to live in the home. His wife, however, worked to set up a paradise in Cuba before convincing him to make the move. It was exciting to see the house where this iconic US author had completed some of his best work.
For any one that loves the written word, to see where Hemingway wrote was a true thrill. Ironically, although his wife had a separate tower building/office built for him where he could see all of Havana, he liked to write standing up in a guest bedroom. On the site was Hemingway’s beloved boat “Pilar,” which in his time was docked at the nearby town of Cojimar, the inspiration for the “Old Man and the Sea.” In addition to the estate, which his wife donated completely furnished minus a few paintings to be a museum, we got a chance to see where his beloved pets were buried on the grounds. All of this helped to shape our impressions of the man who found a way to love both Cuba and the United States, regardless of policy differences. His example may serve us all well, at least that part of his example.
After visiting the museum, we rode to have lunch at Bodega de las Brisas “Paladar” in Cojimar, a restaurant near the water that inspired his masterpiece. Local artist studios now take the place of other trade in this historic fishing village. It was exciting to see artists still trying to capture the beauty of the place as Hemingway had done decades before.
Later that afternoon, we returned to ICAP to have a discussion with leaders of CENESEX(the National Center for Sexual Education), the Cuban governmental agency that oversees the education and research of topics of human sexuality in Cuba. We received a presentation on LGBT rights in Cuba and were afforded a chance to ask some fairly pointed questions about the struggle that gay people experience in Cuba.
After the presentation, it was exciting for GMCW to sing with Mano a Mano, Cuba's first openly gay chorus. Mano a Mano was assembled differently than GMCW, which is a community, all volunteer chorus. Mano a Mano is supported by a grant from the government and its members are paid. It will be interesting to see if the model can sustain itself, but the performers themselves were fantastic. The US and Cuba choruses even performed together, as international media covered the whole event. I was excited to have our YFU volunteer, Rick Withem, chronicle this trip through his amazing photography. Not only was Rick an amazing documentarian for us, he brought his considerable skills as a YFU educator/host dad to bear in helping us navigate culture shock issues. Rick picked up some 20 new friends this trip! (He’s the one with the gray beard in these photos).
Later that night, our hotel, Quinta Avenida Hotel, sponsored a concert for GMCW, setting up a stage in the lobby. We were so moved by the combination of rainbow and Cuban flags in the hotel. The men of GMCW were again in wonderful voice, and we were pleasantly surprised and touched to see some of the performers from our first day in the lobby to root us on. They asked musical as well as diplomatic questions; our efforts to break down barriers through music were starting to have an impact.
The exercise in going to Cuba was as much about people to people interaction as anything else. We were starting to see an impact despite the layers of political and social issues. I am so often struck by the simple power that YFU holds: bring people together and let the inherent desire for peace play out. While it’s often not that simple, sometimes the ingredients are right to have a transformative impact. I hope that this is what is happening through our visit to Cuba.
The Day’s Takeaways:
The US and Cuba share a seminal artist in Ernest Hemingway. What can artists see that we can learn from in approaching diplomacy? How do they see beauty where we see only conflict, and what can we learn from their approach?
People to people exchanges have a chance to supersede politics. Our artist friends from day one wanted to support their new friends. Could we find a way to do that once we normalized relations?